關(guān)鍵詞：國王與國家 羅西 約瑟夫 英國 分鐘 國王 康特
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyea ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout擁抱春天的羅曼史
詳情 10.0分 預(yù)告 主演：姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,王俊凱,李紫菻,張琪,李彧,劉長德,王尊,徐光宇,平田康之,小野巽,佐藤匠
1.0分 預(yù)告 主演：黃軒,王雷,袁文康,潘斌龍,馮紹峰,杜江,王挺,李晨,朱亞文,歐豪,印小天,劉浩存,趙潤南,雅玫,小叮咚,釋小龍,李東學(xué),來喜,唐國強(qiáng),劉勁,盧奇,周小斌,黃薇
9.0分 HD 主演：Michael Ihnow,斯蒂芬·韋爾克,彼得·費(fèi)奧多羅夫
3.0分 HD 主演：奧列格·梅特列夫,哈立德·霍伊薩,奧列格·阿巴林,基里爾·波盧欣,Sergey Yazenuk
5.0分 HD 主演：基里爾·波盧欣 Kirill Polukhin,奧列格·阿巴林,Dmitriy Babichenko,Dmitriy Sutyrin,Sergey Yatsenyuk,亞歷山大·安·巴拉諾夫,Viktor Yanishevskiy,Nikolay Zamula,Anton Sychyov,Dmitry Lugovkin,Nikolay Ivanov,Vitaliy Taks,薩維爾·穆日克揚(yáng),Ruslan Barabanov,賽多·庫班諾夫,Dzhelilov Eldar,Gennadiy Gladkov
8.0分 HD 主演：德克·博加德,湯姆·康特奈,萊奧·麥凱恩,巴里·福斯特,彼得·科普利,詹姆斯·維利爾斯,杰瑞米·斯賓塞,Barry Justice,Vivian Matalon,基思·巴克利 ,James Hunter,Larry Taylor
2.0分 HD 主演：喬治·C·斯科特,蘇珊娜·約克,伊安·邦納,杰克·霍金斯,奈里·唐·波特,瑞切爾·凱姆普森,肯尼思·格里菲思,彼得·科普利,克萊夫·莫頓,范妮·羅,Susan Lawe,安格哈拉德·瑞絲,卡爾·伯納德,娜恩·芒羅,休·拉蒂默
6.0分 HD 主演：羅伯特·卡萊爾,杰薩琳·吉爾西格,湯姆·康特奈,瓊妮·威利,拉爾夫·布朗,大衛(wèi)·蘇切,奈格爾·派納,高夫萊德·約翰,湯姆·哈迪,蘇珊·伍爾德里奇,大衛(wèi)·海曼,彼得·懷特,珂瑟·科特里爾,娜塔莉·博爾特,塞奇莉亞·達(dá)齊,莫伊拉·利斯特,喬治·盧帕諾,Ronald France
3.0分 HD 主演：Siem Vroom,Marlies van Alcmaer,Erik van 't Wout,沃爾夫?qū)て杖R斯,漢斯·范·柏爾松迪,Josephine Peeper,德克·博加德,保羅·馬克斯韋爾,肖恩·康納利,瑞安·奧尼爾,吉恩·哈克曼,Walter Kohut,彼得·費(fèi)伯,哈特穆特·貝克爾,Frank Grimes,杰瑞米·坎普,唐納德·皮克林,Peter Settelen,史蒂芬·摩爾,愛德華·?？怂?邁克爾·凱恩,邁克爾·伯恩,安東尼·霍普金斯,尼古拉斯·坎貝爾,詹姆斯
9.0分 HD 主演：羅伯特·卡萊爾,杰薩琳·吉爾西格,湯姆·康特奈,瓊妮·威利,拉爾夫·布朗,大衛(wèi)·蘇切,奈格爾·派納,高夫萊德·約翰,湯姆·哈迪,蘇珊·伍爾德里奇,大衛(wèi)·海曼,彼得·懷特,珂瑟·科特里爾,娜塔莉·博爾特,塞奇莉亞·達(dá)齊,莫伊拉·利斯特,喬治·盧帕諾,Ronald France
8.0分 HD 主演：波姬·小絲,克里斯托弗斯·阿特金斯,萊奧·麥凱恩
8.0分 HD 主演：彼得·奧圖爾,奧馬爾·沙里夫,湯姆·康特奈,唐納德·普利森斯,喬安娜·佩蒂
1.0分 HD 主演：德克·博加德,夏洛特·蘭普林,菲利普·勒魯瓦,加布里埃爾·費(fèi)澤蒂,GiuseppeAddobbati,伊莎·米蘭達(dá),NinoBignamini,MarinoMasé,阿梅代奧·阿莫迪奧,PieroVida,杰弗里·科普爾斯頓,ManfredFreyberger,UgoCardea,HildaGunther,諾拉·里奇,PieroMazzinghi
7.0分 HD 主演：卡梅隆·迪亞茲,科林·費(fèi)爾斯,艾倫·瑞克曼,斯坦利·圖齊,克蘿麗絲·利奇曼,湯姆·康特奈
7.0分 HD 主演：瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·?？怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里
7.0分 HD 主演：讓-保羅·貝爾蒙多,弗朗索瓦·朵列,讓·塞維斯,羅杰·杜馬斯,丹尼爾·塞卡爾迪,米爾頓·里貝羅,Ubiracy De Oliveira,Sabu Do Brasil,阿道弗·切利,西蒙娜·勒南
8.0分 HD 主演：德克·博加德,湯姆·康特奈,萊奧·麥凱恩,巴里·福斯特,彼得·科普利,詹姆斯·維利爾斯,杰瑞米·斯賓塞,Barry Justice,Vivian Matalon,基思·巴克利 ,James Hunter,Larry Taylor
1.0分 HD 主演：桑野みゆき,平幹二朗,園井啓介,巖本多代,富永美沙子,菅原文太
8.0分 HD 主演：保羅·紐曼,雪莉·麥克雷恩,羅伯特·米徹姆,迪恩·馬丁,吉恩·凱利,羅伯特·卡明斯,迪克·范·戴克
2.0分 HD 主演：朱莉·安德魯斯,迪克·范·戴克,大衛(wèi)·湯姆林森,格萊妮絲·約翰斯,
8.0分 HD 主演：Douglas Keay,Wilfrid Thomas
1.0分 更新至06集 主演：斯圖爾特·格蘭杰,雷夫·瓦朗,米基·魯尼,艾德·拜恩斯,亨利·席爾瓦,斯佩拉·羅贊,William Campbell,海爾莫·金德曼,恩佐·菲耶爾蒙特,彼得·科埃,Nan Morris,赫爾穆特·施奈德,朱利奧·馬爾凱蒂
1.電影《國王與國家》在哪個(gè)平臺(tái)可以無廣告全集高清在線觀看？
愛奇藝 網(wǎng)友：國王與國家高清完整版無廣告免費(fèi)在線觀看地址http://jiayijieju.cn/article/47689.html
2.《國王與國家》是什么時(shí)候上映的？
星辰影院 網(wǎng)友：1964 年由導(dǎo)演約瑟夫·羅西完結(jié)并申請(qǐng)上映的，具體上映時(shí)間可查看百度百科
3.電影《國王與國家》這個(gè)影片都有哪些明星出演？
騰訊視頻 網(wǎng)友：主要參演的演員有德克·博加德,湯姆·康特奈,萊奧·麥凱恩,巴里·福斯特,彼得·科普利,詹姆斯·維等明星
4.網(wǎng)友對(duì)《國王與國家》評(píng)價(jià)怎么樣？
極速影院 網(wǎng)友：不是劇粉但有被這部電影驚喜到，不同于量產(chǎn)的青春陣痛片，電影從女性視角切入，用三種極具代表性的女性人生階段作為故事的脈絡(luò)線索，同時(shí)三人又是從小玩到大的姐妹淘，就此三條人物線相互糾纏交織讓故事變得立體有趣了起來，有些像新篇章的電影版，總體來說還是比較可以的，看了這么多年戰(zhàn)爭片這次是唯一來評(píng)論的一次
優(yōu)酷視頻 網(wǎng)友：電影是承接電視劇繼續(xù)講好故事，整體來說情節(jié)精彩不拖拉，笑點(diǎn)恰到好處，美味三姐妹遇到了各自的挫折及心酸，鏡頭靈活處理了角色的動(dòng)作協(xié)調(diào)言語，切換鏡頭及場景快速轉(zhuǎn)換語境，順理成章對(duì)主角的心態(tài)行動(dòng)恰到其份進(jìn)行了調(diào)整展現(xiàn)，在準(zhǔn)備舞蹈彩排中三人矛盾爆發(fā)，好在各自找到解決問題的方法，最后三人化解姐妹矛盾，結(jié)尾還是比較完美的，只是現(xiàn)在找完整版的電影太難了，還好找到了星辰影院
嗶哩嗶哩 網(wǎng)友：我覺得這部電影真的很不錯(cuò)，和雪嶺熊風(fēng)比，他們兩個(gè)突破一個(gè)戰(zhàn)爭片大多在神話方面的改編，都是原創(chuàng)的作品，真的挺難得的，而且對(duì)于夢(mèng)境的描寫可真的要細(xì)膩的更多，BGM真的好評(píng)。畫面好看的沒得挑。
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